In this article, we’re going to explore a variety of great options of dark floors kitchen ideas. The light cabinets and dark floors combination can be very effective whether your style is contemporary or traditional.
Dark hardwood flooring as well as natural wood on the face of the countertops and cabinets.
Antique white kitchen cabinets with dark wood floors.
A mood board in the office of cloth and innards developer Elizabeth Mollen’s South Austin home.
It’s 8a.m. in Austin, Texas, and the auto thermometer reads 97 °F. But to walk into the two- story bungalow of Elizabeth Mollen is to enter a different world one that’s at formerly cool and sophisticated, drinking and sportful. “ Breakfast tacos?” calls a barefoot Mollen from the kitchen, as her chocolate Labradoodle, Toby, wags his tail putatively on cue. Noway mind that she’s five months pregnant, or that she has a print crew overrunning her home — the 30- time-old developer is the picture of ease.
The kitchen was the first room Mollen revamped, repainting the walls and closets; streamlining the appliances and institutions; and adding a graphic pipe backsplash.
A Chicago native, Mollen moved to Austin four times ago from Los Angeles, where she had been working as an adjunct developer for Rosetta Getty’s ready-to-wear line, Riser Goodwyn. ( Previous to that, she had been living in New York and immersing herself in the assiduity at fashion brands similar as Rebecca Taylor.) “ Austin is a fantastic place to be right now,” says Mollen, who dislocated with her hubby, Russell. “ I can not say I would have had as affable an experience starting my business in a bigger megacity.” The launch of Stone Textile Studio — a line of pillows, throws, and tabletop goods that brings to mind Hollywood Regency crossed with gemstone-and-roll ultramodern — came 10 months after the move. “ I wanted to bring my love of fashion to the world of innards to produce products that accessorize a room the way shoes or jewelry accessorize an outfit,” she says.
Working with youthful homeowners in the up-and- coming design mecca introduced Mollen to a ready- made customer base. “ The product line came first, and my love for interior design came later,” she says of the decorating business that followed on the heels of her cloth plant. Luckily, she had plenitude of occasion to indulge her newfound passion — in the makeover of the two-bedroom,- forecourt- bottom South Austin property she and Russell bought in April 2013.
The developer’s devotion to a dark palette extends to her wardrobe.
In the kitchen, a press from Austin’s Room Service Vintage is paired with a multitiered brass factory stand and a 1970s- period glass.
“ I still ca n’t believe we bought a house with carpets on the walls,” says Mollen, recalling the questionable design opinions of the home’s former proprietor. “ But I knew it was the one. We knew we had a lot of ornamental work to do, but (the home) was so intriguing, so ultramodern — and girdled by verdure.” Over the one- time addition, Mollen invested the concrete structure with her hand lustrous eclecticism.
The kitchen was the first room she dived. Out went the lime-green makeup and oddly futuristic lighting; in came Benjamin Moore’s Snowfall White for walls and closets, a black-and-white geometric backsplash, streamlined appliances, new tackle, and dramatic wood pendants above the islet. Next up the kindly unconventional downward area, preliminarily treated as one large room. “ That was the biggest chain for me,” says Mollen. “ It was an empty space, and we had a lot that had to fit in.”
The developer treated the square footage as a oil for a combination of sitting, dining, and amusing areas. A custom- erected media press came the focal point for a midcentury-inspired Mitchell Gold Bob Williams lounge, while an tempera- base dining table was paired with graveness- defying Milo Baughman chairpersons. An overdyed fuchsia hairpiece — an doubtful pop of color for the sucker of black and white — delineates the living space and plays nicely with color-pink accentuations similar as frosted- glass nesting tables and grand pillows. Bottom-to- ceiling drapes in Stone Textile’s diamond pattern adorns the windows, emphasizing the room’s height and uniting its separate quadrants. Closeness of hard and soft, bright and pale, and pattern and texture are visible at every turn — but an terrain that could fluently feel overrun manages to transude cohesion and warmth.
As for her style, Mollen lists preferences that are substantially of an period. “ I love the clean lines of ultramodern pieces, especially cabinetwork from the 1970s — but I also have an appreciation for further ornate stretch ( particulars),” she says. The alternate bottom is a collection of glamorous fogy moments. A pneumatic Art Deco étagère steals the show in one corner of the home office, not far from a brace of white- leather Eames Bikini chairs that add an air of sexy sinuousness. The stair- stepped legs of a custom- made turquoise office in another corner of the office give a secondary megahit of Deco- inspired energy; a shimmying tessellated black-and-white light institution brings disco drama. In the master bedroom, walls painted in Benjamin Moore’s sultry Temptation argentine highlight the soft lines of a midcentury leather president and consolidate the filigreed edges of a glass Mollen picked up at Texas’s Round Top Relics Fair and installed above a dresser.
Tie- bepaint artwork by Black Crow Studios hangs above West Elm’s faceted glass side table in the living room. At right, a sculptural bust atop Mollen’s bedroom vanity formerly belonged to her relics- dealer grandmother.
An array of Stone Textile pillows tops the bed, acting as a serene negation to a framed panel of Calico Wallpaper’s Wabi.
The yearlong revamp happed in stages, with Mollen powering through right into her first trimester. Of course, this rearmost addition to the family necessitates a new design turning the home office into a nursery. “ My most recent Google hunt was for‘ black-and-white ABC mat! ’” the developer admits of her fondness for graphic discrepancy. Aquarelles and plush accentuations will also be important in substantiation, still, along with Eskayel fabric, custom wallpaper by Lindsay Cowels, a quaint dresser to be used as a changing table, and a mod crib from ducduc. “ Who knows, perhaps some Stone Textile baby products will come out of this new transition,” she says with a bit — it must be said — of that expectant- mama gleam. “ I formerly have a many ideas in mind.”
The set of Milo Baughman chairpersons is one of numerous notables in the dining room, along with the graffiti- inspired Elisa Gomez oil and a smoked- glass chandelier plant on Craigslist.